《一枝光棍走天涯》剧情简介
乔宏饰演的和尚是一个厌倦吃素戒色的生活,他偷跑下山,和一位拿着一支棍走天涯的大侠相识,他们之间从不打不相识到后来合伙做拍档,为了寻找到一尊金佛而开始了一场历险。他们是否可以如愿得到金佛呢?影片中也不乏搞笑元素。
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2018恐怖
简介: 高速公路:琵姆是高速公路收费站夜班收费员。凌晨三点钟在她当值的时候,一股邪恶力量正在威胁她的生命。 一夜情:谭是一个绘画修复者,喜欢参加各种派对和夜店。一天,谭遇见了一个神秘、性感的女人娜潘,并对她一见钟情。第二天凌晨三点钟,他找到娜潘并跟随她到她家。这个女人究竟是谁? 电视直销:山姆是一档电视购物节目的导演。他的组员和主持人打算合伙捉弄他。他们密谋了一系列奇异的事件,想要报复一下这个自大的导演。凌晨三点钟,导演助理欧接到了山姆女朋友的电话,她打电话来是告诉他,山姆在来电视台的路上出车祸死了。欧试图把这个消息告诉组员们,但是没人相信他的话。这时,所有灯瞬间熄灭,恶作剧开始了……
9.0如何众叛亲离
2008传记,爱情,喜剧,剧情
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本片根据英国作家托比·扬(Toby Young)2001年出版的同名回忆录改编。
4.0太后吉祥
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9.0黎明前的死亡
1993剧情
简介:一位年轻的母亲因无法忍受事业有成却暴力成性的丈夫,毅然提出离婚。然而她很快发现,丈夫因担心私生活丑闻影响客户,竟已买凶计划在她出庭前将其灭口。命运的转机在于——这位被雇用的"杀手"实则是联邦调查局(FBI)卧底特工。在FBI的劝导下,她决定配合演出"假死"戏码,以期彻底揭露枕边人的罪行。本片改编自真实事件。
7.0日料主厨:追求完美
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简介: Focusing on four of the leading chefs in Japan today, this documentary explores the truth behind Japan's unique and sophisticated food culture. Each takes meticulous care of their own dishes in pursuit of perfection, but their approaches are quite different, even contrasting. With different sets of roots and beliefs, some pursue spiritual cultivation or aesthetic creativity, while the others seek high-quality ingredients by building close relationships with local suppliers. How do their personalities and struggles result in their masterpieces? World-renowned food experts and gastronomists also guide the audience into the further depths of the stories behind the chefs' endless pursuit. Through these four chefs, you’ll learn that Tokyo is one of the world’s greatest food cities.
2.0余波
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简介: An alarmingly disproportionate number of Black women are failed every year by the U.S. maternal health system. Shamony Gibson and Amber Rose Isaac were vibrant, excited mothers-to-be whose deaths due to childbirth complications were preventable. Now, their partners and families are determined to sound a rallying cry around this chilling yet largely ignored crisis.
Directors Paula Eiselt and Tonya Lewis Lee follow Gibson’s and Isaac’s bereaved partners, Omari Maynard and Bruce McIntyre, as they fight for justice and build communities of support, bonding especially with other surviving Black fathers. Their tragic, individual experiences are punctuated with condemning historical context, showing that gynecology has a long-standing history of exploiting and neglecting Black women in America. In the arresting words of mother-to-be Felicia Ellis, “A Black woman having a baby is like a Black man at a traffic stop with the police.” She emphasizes that paying attention is paramount. Aftershock brings an unsettling reality to the forefront while uplifting the families, activists, and birth workers who are striving to bring institutional change and legislative reform. These mothers will not be forgotten.
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